
A few years back, we spent some time with friends on holiday in France. We did lots of things, and packed into our 4 days at least 8 days worth of activities and sightseeing. But among them all there were two things that stuck in my memory - two buildings in fact.
Two of our days were spent at Disneyland Paris, and there I encountered my first impressive building. Cinderella's castle dominated the whole theme park, a huge pink monstrosity which has become the universal symbol of the Disney Corporation - after Mickey Mouse himself that is! There were a couple of times that I wandered off and got lost in Disneyland and dreaded the possibility of hearing the tannoy announcement "Would the children of Richard Watson please come to the information desk to collect their lost father .... " But I always got my bearings by logging on to the Disneyland Castle that towered above everything else.
I have to confess that even then in 2004, I was becoming a bit of a 'grumpy old man'. Before the holiday, I was convinced that as soon as I saw a man dressed as a Disney costume, I would have to work very hard to restrain the urge to kick him. If actual fact, my reaction was hugely different. From the moment we entered the vast car lot, with the cheery music piped into every corner of the park, I was swept up in the all consuming world of 'happy-ever-afters' and 'magic moments' that Walt Disney has come to represent. Even with my poor remembrance of O Level French (which, for the record, I failed abysmally) I was able to take it all in. Somehow the stories of Snow White, Peter Pan and all the others, managed to transcend the barrier of language, and to my great surprise I even came home with a Mickey Mouse key ring!
So that was my first building - the vast, pink, Disney Castle and all the happiness, optimism and happy-ever-afters it represents.
The encounter with the second building, that had an even more powerful impact on me, was unscheduled and unexpected. On the Friday, we decided that rather than driving straight back to Calais to the EuroTunnel, we'd make a detour into Belgium, up through Dunkirk and into De Panne. That's when the questions started from the children in the back seat. "Dad, what's that over there?" "It's a cemetery" I said "for the people killed in the First World War". And then just a few minutes later, "Daddy, what's that?" "That's another cemetery, for more people killed in the First World War". And then a short while after, "Dad, what's that over there?" "That's another cemetery" All the time, stirring in the back of my mind, were the haunting words of Rupert Brooke:
If I should die, think only this of me:
That there's some corner of a foreign field
That is forever England.
It was then that our two-car convoy decided to make a further detour into Ieper, known colloquially to the troops of World War I as 'Wipers'. We parked outside the cathedral in the cobbled town square, and made our way to the Menin Gate: four adults and five children between the ages of 8 and 13 taking the same path as the countless number of young men who made their way to the front line - many of whom never came back. When we reached the gate itself, it was overwhelming, towering above the road, feeling too close to the town, and almost too imposing. And it made me cry. Name after name after name in the cold silence of stone. Coming as we had from the saccharine world of Walt Disney, it came as a hard jolt of the most awful and bitter reality.
Within a matter of days I had been confronted and moved by two buildings which could not have been more different - and in fact it is easy to polarise them, to set them as opposites. The Disney gloss of hopeful, optimistic fairy tales, and the memorial to the lives lost because of the futile war-mongering of the privileged and powerful. One building that (albeit simplistically) embodies our hope for all that is good, and the other which reminds us just as simply, of how brutal and wicked the world can be. How brutal and wicked we can all be.
Rather dramatically, we drove off into the sunset towards Calais and the Tunnel to make our journey home, and it was then that it struck me that those two buildings - the Disney Castle and the Menin Gate - although so different and representing such different things - those two imposing buildings actually do the same job. They have the same intention and effect - and that is to tell a story, and to keep that story alive, and make it real today. The stories of the Disney tales are familiar enough, and like so many children, our kids were brought up on them. But on that Friday, my children saw inscribed on the Menin Gate, amongst the names of the fallen of the King's Shropshire Regiment, the name of their great, great grandfather. For them, from that moment on, that became a real story.
Both the Disneyland Castle and the Menin Gate tell a powerful story - and both are stories we need to hear time and time again, because in the midst of suffering and waste we are called unequivocally to live in hope and faith. Through remembering the sacrifice of those past, we learn to cherish the freedom of the present; and confronting the pain and injustice of the present we are compelled to strive for a better world in the future. On Remembrance Sunday, we need to tell those stories because we know both to be true - because within each of us (as in our world) is the potential for the most profound good, and at the same time the capacity for the most selfish and wasteful wrong.
There’s an old native American tale that goes like this:
A Cherokee elder sitting with his grandchildren told them, "In every life there is a terrible fight - a fight between two wolves. One is evil: he is fear, anger, envy, greed, arrogance, self-pity, resentment, and deceit. The other is good: joy, serenity, humility, confidence, generosity, truth, gentleness, and compassion. " A child asked, "Grandfather, which wolf will win?" The elder looked him in the eye and said. "The one you feed."
Through remembering the sacrifice of those past, we learn to cherish the freedom of the present; and confronting the pain and injustice of the
present we are compelled to strive for a better world in the future. The acts of remembrance of the coming weeks could cost us dear - not only because of the pain it will stir up for many, but because as once again we make the story real for our children, it challenges us and them to make choices for the future.
So which wolf will you feed? The good or the bad? Which story will you tell?